Apologies – been busy *tries to get breath back*

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exhausted

Image courtesy of YelloShine at StockXchng

Hello everyone. I have finally emerged from my writing cave after an obsessive recheck of my MS for ‘A Construct of Angels.’

Following the re-launch on February 28th, I spotted a typo in the first chapter whilst posting a sample of the story onto Wattpad (yes, I’ve managed to stretch myself even thinner!).  Anxious as to why I’d missed something so basic, I felt compelled to re-read the whole story (again) – and I’m very glad I did. Scores of silly mistakes scuttled around in the daylight once that particular rock had been lifted, mistakes that should never have happened. I can only blame the way I used Word (in ‘show all changes’ mode) to enter the edit suggestions from Tara, my editor and ‘Words with Friends’ buddy.

I will be applying the lessons from this latest faux-pas to my next MS and sequel to CoA, ‘A Vengeance of Angels.’

So, I finally completed the read-through and Sonya Loveday has kindly offered to read it through for me, because if I have to read that story one. more. time. I might go a wee bit crazy. *sigh* Does everyone get to this love-hate stage with their MS, where they cannot bear to plough through it yet again?

If Sonya gives it the all-clear, I will finally be able to revisit the CreateSpace site and upload the finished MS, before I order a second proof copy. It’s been a long time coming…

In the meantime, Write On!

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The Writing Process Blog Hop

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Hops

Hops… :D

A few days ago, a baton in the form of a rolled-up newspaper arrived at my (virtual) door.

“Delivery from Jon,” the courier declared impatiently, as if he was eager to be on his way.

“Which Jon?” I asked. I knew many people called -

“Jumping from cliffs Jon,” he snapped, glancing back down the (virtual) garden path where my (virtual) dog was eyeing him up.

“Oh, that Jon.” I signed something that might have been a delivery note, or a promise to dedicate my life to achieving Peace on Earth at any cost, and let the courier go on his way, closely followed by my (virtual) dog… who was by now baring his (virtual) teeth. I unrolled the newspaper, which was a few days old by now (aren’t they all out of date the moment they’re printed anyway?) and a small scrap of paper fluttered to the ground.

‘Writing Process Blog Hop,’ it read, once I’d rescued it from the slavering jaws of my virtual dog (whom I shall now call Charles Xavier).

‘Be there or admit to being a parallel quadrilateral,’  it continued. I turned the scrap over, but could find no address. So I hopped onto Google, fell off, jumped back on and found a link to Jon’s Writing Process Blog Hop. My reputation as an irregular polygon was secure.

(It was at this point, I began to wonder if I’d accidentally absorbed some of Jon’s slightly deranged, yet brilliant enthusiasm from the virtual rolled-up newspaper. I decided to lie down for a little while… just in case.)

*A little while later, after a strong coffee and once the sun had cleared the yardarm…*

Despite a lack of information of Jon’s seventeen favourite carnivorous mammals, or references to sock colour, I found Jon’s post enlightening. The format of this particular Blog Hop diverges from the intriguing irrelevance of most Blog Hops insomuch as it seeks to uncover those reasons why we writers choose to endure the anguish of creativity – and what we create as result.

The questions posed are as follows (with my own answers forming the ham, cheese and perhaps a little mayo in the sandwich).

1) What are you working on?

My second novel and sequel to ‘A Construct of Angels.’ It’s a contemporary urban adventure / romance / mystery thriller, one-third completed and waaay behind schedule because I’ve taken so much time honing (and re-honing) the first novel. My thinking was, if the first book wasn’t absolutely spot-on and free of errors, who’s going to bother reading the second one? Anyway, the second book back-tracks slightly and begins two days before the first one ended, meaning I can revisit the final scene and let the reader experience it from a different character’s POV. Although the first book concluded neatly, there were still a great many aspects that could be elaborated upon – and now expanded upon in the sequel, where there’s space to do such things.

2) How does your work differ from others in the genre?

I’m hoping my WIP will be unique. It’s a romantic supernatural thriller, but with no vampires, werewolves or shapeshifters in sight. Nor are there any inexplicable teenage college crushes. That’s right – no teens. Aside from one small person who is aged four, everyone is between the ages of twenty and one thousand three hundred and thirty seven (no, really!). Also, my story is set in modern-day York (England), which is rare enough, and features many real-life locations which can be visited. Book Two will follow the same style and include new locations.

3) Why do you write what you write?

I was writing apocalyptic sci-fi before I was a teenager – creating worlds where only a chosen few survived. Subconsciously, I think it was my way of coping with my harsh and unfair childhood. By removing most of the population, and keeping only those I trusted, I was probably trying to exercise a measure of control over the world – a control that didn’t exist outside my writing. Later, I shifted towards High Fantasy, where I created worlds from scratch  and populated them with (mainly) trustworthy characters. Now? I’m hoping that my (genre-spanning) contemporary supernatural romance urban mystery thriller might help to get me noticed in the world of writing. If I can make my mark, I may be able to complete and (self) publish my earlier High Fantasy work, and perhaps even my first completed sci-fi series.

4) How does your writing process work?

I’m very lucky to be blessed with a constant flow of new ideas. Getting those ideas down in some form, however, can be a real challenge as my day job bounces me around the country on a regular basis. So I do most of my work on a Netbook, a miniature and highly-portable laptop.  I will create clusters of ideas, which will then grow into a linear story, rather like cells in a petri dish, spreading towards each other until all the clusters join together to form a seamless whole. That’s the point at which I begin to work through it, expanding on ideas, conversations and characters, swelling the story in a linear way, rather  like someone slowly blowing air into a long sausage balloon. Have you noticed that they always inflate from the nozzle end and gradually get bigger along their length, rather than expanding everywhere at once? That’s how my story expands.

All of my works to date have been never-ending stories (having no definite ending). The exception is my debut novel – whose ending formed before everything else in the story. So this story was almost written backward, with all events leading to the climax. Weird – but it worked. With the sequel, I also know how it’s going to conclude, so it will be written in the correct order, but with my eye firmly fixed upon that ending.

.

Now, according to the convention, I am to tag four other writers who are worthy of note in the Blogsphere. I spent a little time tracing the lineage of this particular hop back through Jon, his nominator Vashti Q Vega, her nominator Amanda Staley and so on back through Karen at mytrainofthoughtson, Jessica P West, JDSFiction, ratiwrites

What? I like to be thorough. I didn’t want to nominate anyone who’d already been named. Plus I’m insatiably curious too. :D

Have alook at some of these other blogs – I found a lot of interesting material there.

So without much ado (too late?), I nominate four bloggers who have been closest to me since the very beginning.

Ryan Casey  - Ryan’s blogs are always informative and he is often way ahead of the game when it comes to anticipating the future for eBooks and their numerous formats. Ryan is a prolific writer and has long been blazing a self-publishing trail that inspired me to follow.

Candace Knoebel  has always been the inspiration I needed, when I needed it most. Her experiences in self-publishing have encouraged me to press on, despite the difficulties and pitfalls.

Sonya Loveday - The other half of the Knoebel-Loveday team, Sonya’s blogs are always fun and informative. BTW, keep an eye out for the Knoebel-Loveday parties being announced. They’re always worth showing up for! Go there, or admit to being a parallel quadrilateral.

Michelle Proulx – Why? In a word: Badgers. When Michelle first showed me her Badgers, I was overjoyed. Her blogs are always packed with fun and irreverent silliness, and the comments often take on a life of their own. They may even be sentient. Plus, Michelle holds the Award for the  longest title for a novel in decades, perhaps even longer.

Jon has been alongside me for most of my blogging journey, but I can’t bounce this back to him. Heck, I’ve named him almost a dozen times on this page already! Kisa Whipkey is also a fun blogging buddy, but Jon’s (that’s another one!) already nominated her. :D

But now, in the style of Michelle Proulx, an unrelated link for you to enjoy:

This is Lucifer, one of the many images from The Brick Testament.

Lego LuciferBehold+the+Metatron!

Theology aside, does anyone think he looks remarkably like Alan Rickman?

Enjoy the Blog Hop!

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A Construct of Angels – the relaunch

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re-release banner feb 28 2014

Party on here.

Todays the day! Everything is in place for the party. Along with my co-host Sonya Loveday we hope to tickle, challenge and entertain – all in one night!

Please drop by between 20:00 – midnight GMT (15:00 – 19:00 EST), even if it’s just to say hello.

Also, please feel free to reblog or share this with anyone you think may be interested.

The party will feature eBook and audiobook giveaways, fun and games, caption contests and general banter… plus I a few little items of swag.

Hope to see you there.

P.S. I would also like to say Thank You to everyone who has offered to donate an eBook for the occasion.

If you’d like to join them and add something to the (growing) pile, please let me know in the comments below.

CoA release

party on

Write on – and party on!!

A Construct of Angels – two days to go

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re-release banner feb 28 2014

Party on here.

With only a few days to go until the relaunch, almost everything is in place for the party. Never having organised one of these before, I was initially faced with a writer’s worst nightmare – the blank page – before my friend Sonya Loveday sent me a list of suggestions. Thank you Sonya! :)

I’ve since found inspiration and added a few other items that ought to entertain those who are attending on Friday between 20:00 – midnight GMT (15:00 – 19:00 EST).

Please drop by, even if it’s just to say hello.

Also, please feel free to reblog or share this with anyone you think may be interested.

The party will feature eBook and audiobook giveaways, fun and games, caption contests and general banter… plus I hope to have some cute little items of swag to offer up.

Hope to see you there.

P.S. I would also like to say Thank You to everyone who has offered to donate an eBook for the occasion. If you’d like to join them and add something to the (small) pile, please let me know in the comments below.

CoA release

Write on – and party on!!

PartyOnDarth

A Construct of Angels – the 2014 relaunch

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re-release banner feb 28 2014

Wish me luck – I’m about to host my first release party. Okay, technically it’s a re-release party, but since the book’s original release was a fairly subdued affair (way back in October 2012), I thought that I ought to make up for it this time round with the revised version.

Not that I’m attempting this alone, oh, no. I have some very competent assistants (for assistants, read: show me how to do virtually everything this time round) in the guise of Sonya Loveday and Candace Knoebel, they of the spectacular cover reveal and release parties on Facebook. The above promotion banner is all Sonya’s work.

Thank you, ladies, from a lumbering old Luddite whose Smartphone has more savvy than I do. Come to think of it, the house phone has too…

The party will feature eBook and audiobook giveaways, fun and games, caption contests and general banter. Please drop by if you have time on Friday 28th between 20:00 – midnight GMT (15:00 – 19:00 EST), even if it’s just to say hello.

Hope to see you there.

CoA release

Write on!

ARCs of A Construct of Angels – the 2014 re-launch.

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CoA

As part of the re-launch on Feb 28th, I’d like to offer out a few Advanced Review Copies to my fellow bloggers and readers, preferably in exchange for a fair review of the book on Goodreads or Amazon.

Would anyone be interested?

If so, please let me know in the comments below, and then email me your address to; andybee64 (at) hotmail (dot) com.

Please let me know if you’d prefer a Kindle, ePub or PDF version. The paperback is not yet available, but will follow along later. I hope to give away a few of those in the future.

As I’m on the road a lot, plus there’s a re-launch to organise, and I’m trying to pen the sequel etc, etc, so I’ll have to limit the number of ARCs to just fifty.

So first come, first served, as the old saying goes. I’ll leave a comment below when I’ve reached capacity.

P.S. Please don’t just ‘grab and forget’ – this book was written to be read and enjoyed - not cached. And if you’re a book reviewer, let me know and I’ll make available a copy outside of the fifty limit.

.

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Revisiting the scary world of creation

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terror

After having spent so darn long living with my debut novel, revising, re-revising, then working through Tara Shaner‘s edits, I find myself (finally) back in familiar territory – something that all writers may recognise.

I’d almost forgotten the simultaneous fear and thrill of creating new adventures for my characters, of developing their personalities from the ones I’d grown so accustomed to in the first book, whilst remaining faithful to their original outline.

Just to throw a spanner (wrench) in my own works (something I do very often), I’ve switched First Person POVs for the sequel, describing the new adventures through the eyes (and other senses) of a different main character. For me, it provides a fresh perspective on the character’s mileu.

I just hope the reader will agree. By comparrison, Philip Pullman did something similar between ‘The Northern Lights’ and ‘The Subtle Knife’.

Another spanner/wrench is the two-day overlap that occurs between the first and second books… a sort of half-reboot, if you like. Think of how ‘Back to the Future II’ meshed with the first film - except I’ve used days instead of years. No DeLorean, though. Shame.

By introducing this half-rebooted overlapping First Person POV switch (still with me on this?), I may have limited my timeline to some extent as the confluence of events must fit snugly against the original adventure. On the plus side, the alternative POV enables me to expand on the details of the overlapping scenes.

Win-win? We shall see. Ask me in a year’s time. :D

.

CoA

Coming soon! Dun, dun-dundun-duuuun.

Write on!

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A Construct of Angels – the 2014 re-launch.

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CoA post its

It has taken many, many months of hard work, but the revised version of CoA (Kindle, ePub and Kobo) is finally ready to be shown to the world. The paperback is due to follow shortly afterward.

My editor, Tara Shaner and I have been bouncing the MS back and forth across the pond since July, and now, finally, we are both happy with the result. It’s fifty or so pages shorter, two characters lighter and a great deal tighter than before.

I’ve learned a great deal during the process of revision (old hands will nod sagely at this point, but bear with me).

An edit is not just about spelling and grammar. It’s as much about the flow as it is about the structure. It’s about plot threads and loose ends; developing characterisations as well as removing characters who either complicate or lend nothing to the plot. Pace, language and humour are also essential elements of an engaging MS.

I began 2013 with the certainty that after scores of read-throughs, my MS would be error-free and ready to roll.

No need for an editor, I thought.

I can do English. I know how to use punctuation.

I was so naive.

I’ve learned, by taking this long way around, that it really does take an outside and professional eye to spot repetitive or erroneous patterns in a Manuscript – and to offer solutions. A writer can become settled and overly accustomed to the flow of the story and (I have caught myself doing this at times) can tend to ‘read’ the story, rather than edit it objectively.

Be in no doubt that you may begin to question your own skill as a writer as overused words, inappropriate dialogue tags and pointless character actions are unearthed before your disbelieving eyes. ‘Did I really write that? What was I thinking?’

But a good editor should also indicate the places where your work shines, where the humour tickles and where the pace grips the reader. And whilst human nature will automatically remember the bad over the good, an indicator of  competent, nay, great work will help to soften the blow – as well as encouraging the writer not to throw in the towel.

I know where my towel is. :D

So the re-launch is imminent. Watch this space and if you can, please join me on my Author page for some fun, frolics and giveaways on Friday, 28th February.

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If you’re struggling with that minority language called ‘British’…

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aleazzurro  keyboard

I have occasionally ecountered comments that pointed out my failings - one of them being misspellings.

My spelling ‘mistakes’ often get picked up on Facebook and (occasionally) on WordPress.

I like to think I’m very thorough when I’m writing and take pride in my spelling and grammar.

Yes, I soemtimes mis-type (who doesn’t?) as my ‘want to type’ speed exceeds my ‘able to type’ speed and my fingers become a pink blur above the keyboard.

However, when I begin to receive feedback that I ‘should check my speling’ (sic) and see one-word corrections for my spelling when there is nothing amiss, I begin to see red.

I’ve been told (more than once) that I use a lot of British English (BrE). Yes, that’s true. I’m British, my characters are English and their story takes place in England. That would follow, wouldn’t you think?

Apparently not.

Ciara Ballintyne appears to have the same problem and states her case here .

So recently, I’ve been writing British English, but with the knowledge that non-Brits may very well read my work. For instance, my character drives a Volvo ambulance instead of the (correct) locally-sourced type because only Brits would know what a Vauxhall Astra was. However, I don’t compromise on ‘labour’ or ‘honour’, ‘realise’ or ‘criticise’ because Brit readers would hate me for it. My characters use Pounds rather than Dollars. I was astounded when I was told that someone had to Google ‘Biro’ because it wasn’t clear that it was a ball point pen.  What are those cheap, crystalline ball point pens made by BIC known as in the US - BIC pens?

These are things we need to know…

British English

I had considered adding a disclaimer stating that the book contains ‘British English’ just to clarify. In this electronic age, the written word is spread far and wide and a novel in English could easily have been written in Australia, South Africa, Japan or any number of countries. I learned recently that along with Australia, Canada still uses BrE, which was a bit of a surprise. I wonder how many other countries do? I’d be interested to know that Britannia does not stand alone…

Write On!

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The editing continues – revisiting CoA (again)

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lucianotb remington

Sometimes, I’ve been extremely fortunate in my writing journey. When I’ve needed them the most, I’ve met people who have shown me that ePublishing is not only possible, but in some ways it is preferable to traditional publishing. 

During my year of querying agencies and receiving a whole basketful of raspberries, around the time I’d started to build my author platform, I quickly began to encounter other writers, some of whom were still querying, others who had decided to go it alone by self-publishing.

And as they proved to me that there is definitely hope after rejection, one author in particular steered me towards the tutorials that explained how I could complete the process myself.  Thanks Ryan!

I’ve also become friends with several other authors who went on to recommended exactly the right cover artist.

Thank you everybody! You are my guardian angels. Or at the very least, he recommended you all. :)

Now I am entering a new phase in my writing. By sheer chance, and some very fortunate timing, I have become friends with Tara, an aspiring editor who began by examining my first chapter, but went on to review the entire MS.  We are now working together on a complete and thorough edit of CoA.

When I wrote the post How to accept editing feedback I thought that accepting a professional critique would be much more daunting, but Tara has been fair as well as thorough with my MS.

She even likes my jokes… :)

As I write this, we have already made some major changes to the story and I now have several words to purge from the MS, on pain of nagging.

It seems that I use the words ‘just’, ‘like’ and ‘sigh’ a great deal (thanks, WordSmith!), to the point where it has begun to leap off the page at Tara. *Sighs* We are also discussing the intricacies of ‘forwards’ versus ‘forward’ and it looks as if I have sinned with ‘towards’ as well. Taking into account that I write in British English (BrE), we both understand that different rules apply on our respective sides of the Big Pond, but she may have me cornered in this instance. :)

However, Tara seems to enjoying the peculiarities of BrE and I’m slowly introducing her to some of our colloqualisms. I’ll soon have her speaking like a native of the UK and then we can be china plates for life!

Once we’ve finished my fish hook, of course. 

Toodle-pip!

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