Blog overload? Sheer indulgence? Why not both?

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Today, WordPress sent me this notifcation;

100 followers

It’s a milestone.  Thank you to lindaghill, my 100th follower and to my 103 other friends in the blogsphere.  You have made my (relatively short) journey a pleasure!

I say relatively short – I’ve been blogging since May 2010 but only sent out my first post in July 2012.  I’m sure there are other writers, artists and photographers who have been here for considerably longer.

My early blogging was mainly a journal was was retrospectively filled in to cover my early work back to 1999 -when records began.  :)

Before that, my writing was random and tended to drift from project to project.  I’d often lose focus or interest before anything of worth emerged from the pages – with one exception.  The germ of the idea that eventually evolved into Homeworld began during my senior school years (when they still used Roman numerals) and was always present in the back of my mind.  One day, I WILL go back to those 43,000 words and complete them – now that I know how the story is going to conclude.  Regular readers will know that’s always been an Achillean failing of mine – not being able to conclude a story – but I’m aiming to change that now that I’ve finally managed to (self) publish my first novel.

The title of this post may infer that I have doubts about following so many blogs.

Not at all.  I may not have the time to read each and every post in the same, leisurely manner that I did when I was following fifty bloggers, but that doesn’t mean that opening my ‘Blogs I follow’ tab isn’t a thrill and a pleasure.  It does mean that I sometimes have to skim a little more than I used to, but I’m soon pulled in by an intriguing headline or an amusing title and find simple joy in reading the wisdom of others – plus sharing what I’ve learned so far.

I follow in the footsteps of those who are wiser and more experienced than I am.

.

untitled

Are we all guilty of creating imaginary friends?

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My imaginary friend

Whilst idly browsing my WordPress stats, I noticed that someone had referenced my ongoing page ‘Characters that can write their own stories’ from Reddit.com.

The Reddit post was one of several that referred to something called (and this is a completely new word for me) Tulpae.

The page describes a Tulpa as; ‘…best described as an imaginary friend that has its own thoughts and emotions, and that you can interact with. You could think of them as hallucinations that can think and act on their own.’

The contributor opens the discussion with;

Are characters in a novel the Tulpae of the Author?

Very interesting question…

The post then goes on to say;

‘By talking and fleshing out something to your own subconscious for so long, you start to get answers from it. The answers align themselves with all these preconceived traits you’ve given them (for the most part). When you talk to your own mind for long enough, it will answer back: this is an accepted fact.

This sounds a lot like an author with a good enough character not deciding what the character will do, but the author knowing what the character would do because the character tells him or her.

I was told by a writing professor of mine that authors should strive for this level of character development, to the point where the character makes its own decisions.

anyone interested in discussing this?’

Read more of the discussion here.

I’d be interested to learn what everyone else’s thoughts are on the subject of characters becoming part of the creative process.

This got me thinking about the entire process of writing versus creating imaginary friends.

Sure, our reasons for creating are different from that of a child who creates friends out of a need for comfort, companionship or security.

We invent characters to fill a book, act out our story or even (in some cases) fulfill unfeasible fantasies.  When I was a child, barely into double figures, I was having such a miserable time of things, I began to write End-of-the World stories where only ‘nice’ people survived and subsequently found each other to begin civilisation over again  (Obviously, these early stories failed because I’d selectively eliminated all anatgonists!).

Years later, it occurred to me that I had been exercising (or even exorcising) mental control over the world as a form of comfort, rather like inventing imaginary friends to keep me safe.

Later stories, written during my teens, became less like a wish-list of how I (unconsciously) felt the world ought to be.  They even began to include bad guys!

image courtesy of svilen001 - Stock Xchng

But, looking back at them now, the stories still seemed to retain an element of control, a sanity and restraint that the real world lacked.  My current writing style has, I can see now, developed out of that evolutionary process, although I hope that it feels less controlled than those early works.

But do writers invent characters purely out of necessity – simply to act out a pre-planned story?  Or is there even a small element of ‘this character brings me comfort’?  Is there a hint of ‘I’m happy with this character because I’d like them if they were my real-life friend’?  Do we unconsciously develop characters (even anatgonists) that we are comfortable with?

Are writers the ultimate creators of  imaginary friends?

 

Write on!

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