Revisiting the scary world of creation

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terror

After having spent so darn long living with my debut novel, revising, re-revising, then working through Tara Shaner‘s edits, I find myself (finally) back in familiar territory – something that all writers may recognise.

I’d almost forgotten the simultaneous fear and thrill of creating new adventures for my characters, of developing their personalities from the ones I’d grown so accustomed to in the first book, whilst remaining faithful to their original outline.

Just to throw a spanner (wrench) in my own works (something I do very often), I’ve switched First Person POVs for the sequel, describing the new adventures through the eyes (and other senses) of a different main character. For me, it provides a fresh perspective on the character’s mileu.

I just hope the reader will agree. By comparrison, Philip Pullman did something similar between ‘The Northern Lights’ and ‘The Subtle Knife’.

Another spanner/wrench is the two-day overlap that occurs between the first and second books… a sort of half-reboot, if you like. Think of how ‘Back to the Future II’ meshed with the first film – except I’ve used days instead of years. No DeLorean, though. Shame.

By introducing this half-rebooted overlapping First Person POV switch (still with me on this?), I may have limited my timeline to some extent as the confluence of events must fit snugly against the original adventure. On the plus side, the alternative POV enables me to expand on the details of the overlapping scenes.

Win-win? We shall see. Ask me in a year’s time. 😀

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CoA

Coming soon! Dun, dun-dundun-duuuun.

Write on!

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CreateSpace – Part III of my anticlockwise journey towards a paperback

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Construct paperback

It’s heeee-re! It’s really here!

I’m as proud as George McFly when HE opened his box in 1985;

A Match made in space

(George McFly is a fictional character and wannabe author who was featured in ‘Back to The Future’ in case you don’t remember the 1980’s)

I can report several parallels with George’s story…we’d both been writing since we were at school, we’d both suffered similar abuse from our peers and we’ve both been accosted by time-travelling versions of our own sons. Except that mine hasn’t happened yet…but I’m sure it will. 🙂 It’s bound to. That’s how time-travel works, right?

Ahem.

Anyway, back to the main event – the paperbacks. Actually, they were so large, I thought CreateSapce had accidentally sent me hardbacks. At 500 pages long, ‘Construct’ is no lightweight – but it would have weighed in at 700 pages if I hadn’t made the decision to lose the last three chapters from the original draft and recycle that ending into the (proposed) third book.

I can report that the print quality is top-notch. The cover is of good quality, printed on at least 200gsm card – possibly thicker.

(You’ll guess from the above that I’m not an expert in this field!)

However, it feels as good as any ‘real’ paperback and doesn’t feel as if it’s going to disassemble itself the first time it’s opened. Quite how they put such a small number of books together so well, I’m uncertain. I imagine that there is a large workshop beneath one of Amazon’s warehouse, complete with chutes and steam-driven conveyor belts manned by elves who sing jolly tunes as they lovingly construct the books.

Perhaps I’m wrong – but can anybody prove it?  🙂

When I was populating the CreateSpace template with my MS, I went for a 6×9 layout, black text of cream paper and a size 11 font – Book Antiqua – which was the default font of the template. This resulted in a pleasant and easily readable text.

Even the image file that CreateSpace  flagged up as too low-resolution (less than 300 dpi) turned out to be fine. Since it was only an image of a character’s shaky handwriting, it didn’t concern me. I’d have shows it to you, but it’s a major spoiler. I imagine that a photograph of a similar resolution might have turned out poorly, but as someone commented recently on a previous post, ‘if it looks fine on the screen, it’ll probably be fine in the book.’

A quick flick through the book revealed that all was well, although one of those irritating spaces had managed to make an appearance at the bottom of one of the pages. *Fumes quietly to self at having missed it.*  I also felt that having chapters begin on the left-hand rather than the right-hand  page looked wrong. Unfortunately, this was the way that the text fell, so I will have to make some changes in that department.

My bio, now that I see it in print, reveals more about me than I’m comfortable with, so I’ll be trimming it slightly. Once I’ve had a chance to read the rest of the book, I may find other aspects that I’d prefer to adjust, but that’s something for another day.

So, a few minor tweaks required, but not a disaster by any means, but this all goes to prove that it was a wise move to follow CreateSpace’s advice and order proof copies and not just trust that I had everything right first time.

If you’re thinking of using CreateSpace, I’d be happy to report that it’s been a straightforward, happy experience – aside from my shenanigans with the formatting, although that is an issue with Word and may possibly have been a left-over from using Word to assemble my story in the first place. Those wise writers who utilise Scrivener may not have this problem.

So…off I go to a dark corner where I can read my 500 pages without interruption.

Yeah, like that’s going to happen! 😀

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In the meantime, whether you prefer pixels or pages,

Write On!

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