CreateSpace – Part V of my anticlockwise journey towards a paperback

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CoA post its

Well, my second proof copy has arrived from the USA and despite my best hopes, I’m still finding errors in the text. 😦

I asked my significant other if she’d read through it for me… a fresh pair of eyes, and all that.  However, after five weeks of gathering dust (the book, not me!), I realised I’d have to undertake the task myself. *sigh*

After hundreds of read-throughs, I’m having real trouble concentrating on the text and find myself drifting along with the narrative instead.

Why, I keep wondering, do these text errors continue to plague my MS? I like to think I’m meticulous with my grammer and, speeling. I can only imagine the errors are typos I’ve somehow missed.

True, my typing isn’t perfect. As It gets faster, mistakes begin to appear, so I temper my speed to keep the typos down. However, impatience can sometimes bite and my fingers will get carried away, often typing faster than my brain (that only takes eight words a minute, usually!).

So this week finds me ploughing (yes, that’s how it feels after 500+ reads) through the paperback, hoping to upload and receive a corrected version before the end of July.

I have to – a couple of Floridian friends are keen to see a paperback copy in early August.

Anyway, back to reading…

In the meantime:

acern270ginger write on

The editing continues – revisiting CoA (again)

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lucianotb remington

Sometimes, I’ve been extremely fortunate in my writing journey. When I’ve needed them the most, I’ve met people who have shown me that ePublishing is not only possible, but in some ways it is preferable to traditional publishing. 

During my year of querying agencies and receiving a whole basketful of raspberries, around the time I’d started to build my author platform, I quickly began to encounter other writers, some of whom were still querying, others who had decided to go it alone by self-publishing.

And as they proved to me that there is definitely hope after rejection, one author in particular steered me towards the tutorials that explained how I could complete the process myself.  Thanks Ryan!

I’ve also become friends with several other authors who went on to recommended exactly the right cover artist.

Thank you everybody! You are my guardian angels. Or at the very least, he recommended you all. 🙂

Now I am entering a new phase in my writing. By sheer chance, and some very fortunate timing, I have become friends with Tara, an aspiring editor who began by examining my first chapter, but went on to review the entire MS.  We are now working together on a complete and thorough edit of CoA.

When I wrote the post How to accept editing feedback I thought that accepting a professional critique would be much more daunting, but Tara has been fair as well as thorough with my MS.

She even likes my jokes… 🙂

As I write this, we have already made some major changes to the story and I now have several words to purge from the MS, on pain of nagging.

It seems that I use the words ‘just’, ‘like’ and ‘sigh’ a great deal (thanks, WordSmith!), to the point where it has begun to leap off the page at Tara. *Sighs* We are also discussing the intricacies of ‘forwards’ versus ‘forward’ and it looks as if I have sinned with ‘towards’ as well. Taking into account that I write in British English (BrE), we both understand that different rules apply on our respective sides of the Big Pond, but she may have me cornered in this instance. 🙂

However, Tara seems to enjoying the peculiarities of BrE and I’m slowly introducing her to some of our colloqualisms. I’ll soon have her speaking like a native of the UK and then we can be china plates for life!

Once we’ve finished my fish hook, of course. 

Toodle-pip!

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Published for a year…

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CoA post its

On October 17th, 2012, I clicked a button marked ‘Upload’ and sat back, nervously awaiting the delivery of a stream of electronic information to Amazon KDP. Twelve hours later, ‘A Construct of Angels’ was live and I realised that I had finally achieved my dream – to complete a novel and put it up for sale.

Thirty-seven years ago, I could never have dreamed that in this future age of flying cars, silver jumpsuits and daily trips to the Moon, my book would exist only as data and that it would be held in storage in a distant country. Readers would only have to tap it with their finger if they wanted to select, pay for and read it.

Cool.

I am still working to make the paperback version a reality, but with the recent bout of editing that I have subjected the poor thing to, that particular realisation has been delayed yet again. Configuring an electronic (Word-based) template with paragraphs, page breaks, chapters and the odd image isn’t as straightforward as it ought to be. *frowns* It’s now back with my new editor, Tara, after receiving some swathing cuts, including the complete removal of two characters.

In some ways, I hardly seem to have moved on at all. I am still editing and I really need to put A Construct of Angels to bed and pick up the sequel. But it will haunt me if my first book isn’t the best it can possibly be. Only when that’s sorted, can I let it go…

However, as I mentioned in a previous post, One Year On,  a great deal has changed for me in the last twelve months (plus I now have 300 followers – who’d have thought?) and I still can’t quite believe how much has been crammed into such a short space of time. I can only wonder what the next twelve months will bring, although I can’t imagine them being as crazy as the last twelve. The learning curve, I feel, is no longer as steep as it has been and for that, I am grateful. 🙂

Regular readers will know that my job sends me all around the UK. Well, by sheer chance, this week happens to have landed me back at the exact same desk from where I uploaded my book, one year ago. I am experiencing an eerie sense of deja vu – again.

It’s another reminder of what’s changed. If I could borrow Sandra Bullock’s time-travelling postbox (The Lake House), I would send my past self a message that says ‘hang on to your hat.’

Not that I wear a hat. I’m not Terry Pratchett. 🙂

Anyway, until Tara has finished looking over my new edits, I’m hoping to press on with the sequel,  ‘A Vengeance of Angels.’ I’d really liked to have completed it, one year on, but life has a peculiar way of rearranging even the best-laid plans of mice and authors.

.

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How to accept editing feedback

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Professor at work

Within the last few weeks I have been on both sides of the editing fence, in a non-professional capacity, and it’s been a fascinating and emotional experience.

It’s surprising how much this editing lark tugs at the heartstrings…probably because I was working with friends’ MSs, not an ‘author unknown’ whose work I could have viewed more dispassionately.

At first. there’s the realisation that I am holding someone’s hard work in my hands. I handle it like fine china whilst wearing thin white cotton gloves. Eventually, once I have carefully tip-toed through the copyright page and the dedication page – pages that look uncannily similar to my own – I get down to reading the actual story.

Fairly quickly, I begin to read it as an editor, albeit an amateur one. I discover small errors. There are the obvious typos, misplaced words that the spell checker skimmed past, stray aspostrophe’s 🙂 Those are all straightforward and easy to highlight. At this stage, I feel no guilt for messing with someone’s hard work.

But then there are the ‘clumsy’ sentences; the ones that find you circling the same spot on the page like a buzzard as you consider rephrasing; ‘The stars appeared in a velvet sky along with the shining object that as a child, the cow had jumped over – the Moon – just before the clouds began to roll in.’

I should emphasise that no-one actually committed that sentence to ePaper. It’s just an example…but it’s awkward, right?

But I’ve stared at many similar sentences, wondering if I’m just being mean, picky or plain British-awkward by even considering the idea of changing them. If I correct it, will it then jar with the rest of the MS? Will I have ruined the artistry that the writer sought to inject into the words?

Will it change the mood if I type it up as; ‘Clouds mushroomed along the horizon, building quickly, threatening to swallow the moon – my childhood inspiration – and spoil the cobalt, star-spotted beauty of the late evening sky.’ That’s more my style – but do I have the right to impose it on another writer?

Guilty questions begin to rattle my brain;

‘Do I leave that alone?’

‘Is it actually wrong – or do I just not like it personally?’

It’s the same thing when I read ‘Phil pushed himself off of the table.’  Brits hate this – but it seems to be normal in the US.

With some phrases, I wonder;

‘Is that how an American would phrase it – or is it wrong?’

Take; ‘He dropped the tailgate of the pickup and drug out the fishing nets.’ Brits would throw up their hands in horror – but in the US? I honestly don’t know if drug is an acceptable past tense form of drag.

If it’s speech, then I leave it well alone. Characters can talk exactly as they want to – unless I stumble across someone suddenly saying ‘I did not want to…’ or ‘I shall not do…’ when they would normally contract their speech.

Then we have; ‘The teenagers hung around the park most of the day, but one by one they began to slope off home.’

‘Would American readers understand that term? Is it too British? Should it be international-ised?’

It’s been pointed out to me that I use a lot of British English. Yes, that’s probably true, but short of avoiding all words that end in ‘-ised’ or changing them to ‘-ized’ and cutting out the letter ‘u’ from words ending with ‘-our’, I’m not sure of the best way around that issue. I am (mostly) English, my story is set in York, my main characters are (for the most part) English and at no point do they leave the country. If I was to convert my MS to American English, I would then be turning my back on the very ‘Britishness’ of my story. It’s a no win, no win situation.

I find myself thoroughly quandried, plus I feel a growing respect for editors who must straddle these intenational conundrua.

On the receiving end;

The edited MS arrives as an attachment – I download it and crack it open, wondering how much red I will see.  The first comment pops up, and I instantly feel (in turn and within the space of a few seconds) the following;

Irritation

Annoyance

Anger

Resignation

Acceptance

Determination

Purpose

Is it just me? Am I unique in that I see red because someone has dared to question my writing? I mean – how dare they?

Oh, they’re editing it for me. Fair enough.

The ire quickly fades as my Muse nods sagely and persuades me (diplomatically) that the editor could well be right and that perhaps a small change would benefit the MS.  So I sigh, I change it, I move on to the next comment.

It’s a hard thing, to accept the critique of another. If you’ve a thin skin, it feels as if someone is simply telling you; ‘No, you’re done that wrong.’ If you’re thicker skinned – and writers need to be – then it should be seen as ‘fine tuning’, as necessary as – for example – a haircut. The hairdresser may not actually hate your hair, but they still need to take off a little bit here and tidy it up there. It’s not personal.

But it can sure feel like it. >.<

Just think of it as the next little step towards presenting your best possible work to the world. Grit your teeth, thicken your skin, go get that haircut and let it happen.

So easy to say…so tricky to accept.

😀

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CreateSpace – Part IV of my anticlockwise journey towards a paperback

3 Comments

CoA post its

Isn’t this is the BEST justification EVER for ordering a Proof copy of your Print on Demand novel?

I used nearly three packs of Post-it strips marking out typos (not too many), weird spacing issues (loads) and missing or shifted text (scores – mostly at the bottoms of pages where text had been moved to fill the silly gaps).

I also took the opportunity to have one last crack at polishing the prose as I went. Who says a writer is never done editing?

Anyway, Big Lesson learned here; Never assume that because it looks fine on the screen, it’ll be fine in print. WRONG!

And don’t order TWO copies in the naive hope that the print will be fiiiine *casually dismisses problem with a wave of his hand* and you would be able to send one of them to…for instance…your mother.

So glad I didn’t…

Unless you are planning to use an editing buddy, someone who will be reading the second copy, don’t waste your money. Order ONE, fix it, THEN order another proof – just to be certain.

Sure, it all takes time…an interminable period during which you are champing away, desperate for the process to be completed. But as I’ve posted before, patience is most definitely required in this self-editing game.

So, now that I have completed my read-through, I only need to update my electronic version and re-submit the document to CreateSpace…and order another proof copy, which must come all the way from the US… by snail mail..and then read through THAT…and identify any remaining errors.

*drums fingers in agitation*

How long is the average human lifespan?

Muse; Patience, Mister Toynbee, patience.

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Becoming a Scrivener-er…a new adventure.

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Mattox MS

On Tuesday 21st May, I finally decided that I’d had ENOUGH of writing in Microsoft Word and took a long, hard look at Scrivener.

But why, you might ask, when more than half of the writers I’d spoken to said it was the best thing ever, had I waited so long???

Well, (long story short) I’d always been happy to use Word in all of its incarnations since before Office 95 was ‘the latest thing’.  But now, as I began to use Office 2010, acquired in March 2013, my heart sank. The darn thing seemed to have a mind of its own.

From paragraph formatting to bullet points it suddenly felt as if Word didn’t want me to be there any more.

I use *   *   * to separate paragraphs – have you tried to type that in Office 2010? It turns into bullets!!

Still, I persisted and wrestled with it for another four weeks, working around the peculiarities as I assembled articles, short stories and…my CreateSpace version of  ‘A Construct of Angels.’ Huge gaps between paragraphs and page breaks that refused to undo became the final straw. For three nights, I was forced to cut and paste sentences in order to get around this idiotic formating problem and when the time came to begin my next project, my brain cried ‘ENOUGH! I can’t go through all that again!’

So, in desperation to soothe my addled mind, I Googled the best price for the latest (or even the previous, for I am not proud) version of Scrivener.

Not so easy, for here in soggy England, we’re unable to take advantage of the NaNoWriMo offer price on Amazon (unless you know of a way around that…) as it’s only on Amazon.com…and we poor Brits aren’t allowed to download from there in case there’s none left for everyone else. We’re quite a ravenous bunch over here – we have been since WW2 rationing ended.

But I managed to uncover a trial download from PC World – priced at $40. Why dollars? Well the download linked to Literature and Latte dot com who seem to have no problems with feeding us hungry Brits.

And so I went for it, desperately hoping that this shining light, this gift from the Gods (they are there…they’ve just retired) was everything that it had been purported.

All right, Toynbee…don’t oversell it!

So far, so good. It downloaded (49MB), installed (even on my stone-age Windows Vista Netbook) opened and allowed me to explore. The tutorial looked daunting, but because it’s interactive (‘try this…see what happens; now try this…isn’t it good?’) it’s more kinesthetic than cramming.

I think that Scrivener and I are going to get along just fine. My ex (Word 2010) will still  be allowed to visit at weekends, but that relationship has definitely cooled.

I will let you know if romance blossoms with the new girl in town.

So, with Scrivener in mind, Write On!

*   *   *

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