CreateSpace – Part III of my anticlockwise journey towards a paperback

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Construct paperback

It’s heeee-re! It’s really here!

I’m as proud as George McFly when HE opened his box in 1985;

A Match made in space

(George McFly is a fictional character and wannabe author who was featured in ‘Back to The Future’ in case you don’t remember the 1980’s)

I can report several parallels with George’s story…we’d both been writing since we were at school, we’d both suffered similar abuse from our peers and we’ve both been accosted by time-travelling versions of our own sons. Except that mine hasn’t happened yet…but I’m sure it will. 🙂 It’s bound to. That’s how time-travel works, right?

Ahem.

Anyway, back to the main event – the paperbacks. Actually, they were so large, I thought CreateSapce had accidentally sent me hardbacks. At 500 pages long, ‘Construct’ is no lightweight – but it would have weighed in at 700 pages if I hadn’t made the decision to lose the last three chapters from the original draft and recycle that ending into the (proposed) third book.

I can report that the print quality is top-notch. The cover is of good quality, printed on at least 200gsm card – possibly thicker.

(You’ll guess from the above that I’m not an expert in this field!)

However, it feels as good as any ‘real’ paperback and doesn’t feel as if it’s going to disassemble itself the first time it’s opened. Quite how they put such a small number of books together so well, I’m uncertain. I imagine that there is a large workshop beneath one of Amazon’s warehouse, complete with chutes and steam-driven conveyor belts manned by elves who sing jolly tunes as they lovingly construct the books.

Perhaps I’m wrong – but can anybody prove it?  🙂

When I was populating the CreateSpace template with my MS, I went for a 6×9 layout, black text of cream paper and a size 11 font – Book Antiqua – which was the default font of the template. This resulted in a pleasant and easily readable text.

Even the image file that CreateSpace  flagged up as too low-resolution (less than 300 dpi) turned out to be fine. Since it was only an image of a character’s shaky handwriting, it didn’t concern me. I’d have shows it to you, but it’s a major spoiler. I imagine that a photograph of a similar resolution might have turned out poorly, but as someone commented recently on a previous post, ‘if it looks fine on the screen, it’ll probably be fine in the book.’

A quick flick through the book revealed that all was well, although one of those irritating spaces had managed to make an appearance at the bottom of one of the pages. *Fumes quietly to self at having missed it.*  I also felt that having chapters begin on the left-hand rather than the right-hand  page looked wrong. Unfortunately, this was the way that the text fell, so I will have to make some changes in that department.

My bio, now that I see it in print, reveals more about me than I’m comfortable with, so I’ll be trimming it slightly. Once I’ve had a chance to read the rest of the book, I may find other aspects that I’d prefer to adjust, but that’s something for another day.

So, a few minor tweaks required, but not a disaster by any means, but this all goes to prove that it was a wise move to follow CreateSpace’s advice and order proof copies and not just trust that I had everything right first time.

If you’re thinking of using CreateSpace, I’d be happy to report that it’s been a straightforward, happy experience – aside from my shenanigans with the formatting, although that is an issue with Word and may possibly have been a left-over from using Word to assemble my story in the first place. Those wise writers who utilise Scrivener may not have this problem.

So…off I go to a dark corner where I can read my 500 pages without interruption.

Yeah, like that’s going to happen! 😀

.

In the meantime, whether you prefer pixels or pages,

Write On!

signature plus n270 

Bookmark – this page.

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bookmark

A little while ago, I was asked by Ryan Casey for feedback on how well my (home-made) bookmarks were being received.  Well, I can tell you that since November – a period of four and a half months – I’ve given out every one of the 500 I made in those first exciting days.

 Last Thursday I had to open up my next batch of 600, which I’d made back in January.  Five days later, I’ve already given out thirty or so.

I mentioned a while ago that my day job keeps me busy, sending me (randomly, it seems) to all parts of England, Scotland and Ireland.  This gives me the opportunity to meet a great many people, from engineers to office workers, and allows me to (tentatively) offer my book to those that seem receptive to the idea of a supernatural romance novel.

The conversation, always a work in progress, usually opens like this;

‘Do you read much?’

‘Me?  Yes.’

‘Well, can I give you one of these?’ *Hands over bookmark.*

‘Oh, what is it?’

‘Just my little contribution to literature.’

‘You wrote this?’

‘I did.’

‘What’s it about?’

And so the conversation begins.  For my thoughts on how to best describe a book, click here.

Today, I hit gold.  I asked one lady if she read supernatural romance and her reply was ‘My Kindle is absolutely stuffed with it!’  If I hadn’t intrigued her with a bookmark, she wouldn’t have gone on to BUY IT!!!  Woot, as so many people are fond of saying. 😀

My job also, as I circle the country and begin to pop up in places I haven’t visited for months (or even years),  allows me to chat to old friends who automatically ask me ‘what have you been doing?’  What a gift!  Immediately, I drop a bookmark onto the table and tell them that I’ve been writing a book.

‘You wrote this?’

‘I did.’

‘What’s it about?’

and so on…

The point of all this reminiscing is that swag – even home-made swag – is a conversation starter, an ice-breaker, a way of introducing the fact that the person opposite the conversationalistee (IS a word, so there!  And if it isn’t, it ought to be) is a bona-fide author and that the said conversationalistee (I’m not so sure it is a word now) ought to be bowing and scraping and muttering ‘I’m not worthy O Great One.’

Or at the very least, they should say ‘Sure, I’ll buy your book. I realise how difficult it must be to have applied that much dedication to your art and produce something of worth.’

‘Oh, thanks,’ is nice too, although not often productive in a salesy way.  I DID get my hand shaken in a congratulatory manner not so long ago (for getting published), so that was a boost for me and my oft-perforated ego.

Anyway, enough of the self-worship.  I’m not worthy of it.  But you are.  If you have spent a lot of time creating a complete story or poem and want to publish / have published it, then why on Terra shouldn’t you advertise?  There are other methods of introducing your work to people.  Mine is a simple free giveaway that starts a conversation.  It’s a must for me…someone who’s essentially a non-people person.

And it’s captured a few extra sales along the way.  The product of a bit of graphic manipulation, a colour printer, laminator and a cheap guillotine, it’s a low-budget method of shifting a few extra books. 

Don’t walk amongst potential punters in silence – be interesting, be something a little bit special.  One day you may just introduce yourself to a literary agent or publisher.  Or Steven Spielberg. 

Okay, that last one was a bit of a stretch, but you don’t know who his friends’ friends are, do you?

Tell the world that you’re out there – and write on!

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P.S. In the interests of balance, I feel that I should say this;  I may have handed out over 500 bookmarks – but I have yet to sell 500 books.  Not every one strikes gold.  However, the bookmarks might lie around for months or even years before triggering someones curiosity – whereas a fleeting memory is pretty much gone for good and is very unlikely to result in a sale.

Gothic Bite Magazine ©

Written by Monsters for Monsters

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